9/9/2023 0 Comments Capture one for fujifilm![]() ![]() There are a number of options available with different rewards, such as behind the scenes content, special Patreon only videos and more. If you like what you see here and you find this useful, then you can help support this blog and help me keep making great content like this by supporting me on Patreon for as little as $1 a month. The differences are generally not massive, so in some cases, this won't be a huge deal, but some people are sticklers for keeping their RAW files as close as possible to the in-camera Jpegs, and in this case, this is what you need to do. If you prefer the extra features then use the lens profile. If you prefer to match the in-camera results as best as possible, then you need to use the Manufacturer Profile. While the manufacturer profile will be more accurate to what Fuji includes with their cameras, this isn't necessarily 100% accurate either, and so, it's down to a matter of personal preference. The software profiles in Capture One are calibrated independently of the harware manufacturer, in this case Fujifilm, and so the engineers analyse the distortion of the lens and create a profile to provide correction so that horizontals and verticals are straight. ![]() Also, and I know some people will be angry at me for saying this, but don't assume that the Fuji profile is "correct" (as it depends on your definition of "Correct".) Sharpness falloff correction isn't available in the metadata profile, so that is one reason to go with the lens one. There are some disadvantages to this, though. ![]() Having this selected uses the lens metadata in the file rather than a separate profile. To fix this, simply go to the lens correction tool, and under Profile change it from the lens profile to "Manufacturer Profile". In some cases, it defaults to using Capture One's own profiles, and these won't necessarily match what is coming from the camera. ![]() For some lenses in Capture One, the software has both its own lens correction profiles, and can use the Raw files metadata for correcting lenses. There's actually a straightforward explanation, and an easy(ish) fix. This depends on several factors, including the lens used, the focal length, and so on. The distortion may look slightly different, or the image may appear cropped. What do I mean by this? If you import both Raw and Jpeg files into Capture One, you may notice a significant difference in the lens correction between the RAW and Jpeg files. Inconsistencies in Lens Distortion Correction with Fuji Raw files and how to fix it.Īnother thing that I have seen discussed recently is an inconsistency between the distortion correction with specific lenses in Capture One compared to the Jpeg Counterparts. For the second edition of my Jpeg book (which will hopefully be later this year, but it depends on a few things - like the lockdown lifting, and me getting hold of a new Fuji camera) I will have more details on this and other aspects of working with Jpegs. I'm basing these guidelines on matching the results I would get when working with RAW files, and creating a reasonably natural-looking result. If you turn down the values in-camera, it's still applying a little sharpening, so it's not the same as shooting RAW. Anyway, if you do go with this approach, and you want to sharpen the Jpegs in Capture One, here are my suggestions:įirst of all, you should only need a little sharpening. I won't go into the full reasoning here, but that's the gist of it. In the next release of my Fuji Jpeg Guide I will include a full section on processing Jpeg files in Capture One too, but in the meantime, here is a quick guide to how I would go about sharpening Jpeg files.įor those who don't have my Jpeg guide, in it, I suggest that it might be of value to turn down the in-camera sharpening and instead add sharpening in post-production, as it gives you more control. However, since then Capture One has become more mainstream, and so now I can see people wanting to process Jpegs with it too. When I wrote my Fuji Jpeg book a few years ago, I didn't include Capture One in it, as at the time, I felt that the majority of people who were using Capture One to process their Fuji Files were doing so to work with RAW files. The second is about a quirk of the lens correction module and how to address it. The first is based on a question I got from a customer, regarding working with Jpeg files in Capture One. Here are two quick tips for those working with Fuji Files and Capture One. ![]()
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